Best of Punk Albums 2020

2020 was the absolute worst year for concerts and festivals since all every single event was cancelled this year. So what do we even have left to savor? Just media and merch for this year. Some bands really stepped up and brought us their best within the worst year to date for music. There were many diamonds in the rough across several genres of punk and here’s our top picks of 2020.

WEAR A DAMN MASK. SOCIAL DISTANCE. TAKE THE VACCINE. YOUR FAVORITE ARTISTS WANT TO PLAY, SURVIVE FINANCIALLY, AND BE HEALTHY WHILE DOING IT.

Pears: Pears

It is no secret I am a fan of this band. The quality of how Pears has continually built up their sound up from their first album is impressive. This album definitely sounds like the classic Pears sound we have grown to love. Thrashy, fast, and tongue in cheek lyrics. There are some experiments with different sounds for certain songs such as Traveling Time and Daughter. I also enjoy the small musical jokes they put in songs for example in Dial Up. I don’t think I could have gone any further without a Pears album. Also Naptime is my new anthem.

NOFX/Frank Turner: West Coast vs. Wessex

If you are in the Venn diagram of liking these two artists like me, this was a surprise album this year. My initial thoughts were they might be too different in styles to make this work. Frank Turner is a true singer/songwriter and it would seem too polished for NOFX to cover. Not that Frank Turner can’t get gritty when he wants with his musical background but NOFX has some lackluster covers in their catalog. I think they both picked songs that weren’t the hits and made them their own. I still can’t get over Frank Turner making Bob sound so beautiful. NOFX gave new life to Ballad of Me and My Friends. Plus the video for Bob for this album is truly funny and tribute to the original video.

The Drowns: Under Tension

This band grows on me more and more I listen to them. I am a huge fan of Pirate Press bands and this is no exception to that rule. What I appreciate about this album and sound of The Drowns, is that they take the best parts of the classic punk sounds and breathe new life into them. They sound like several other band stylistically but you distinctly know when you hear a Drowns song though. The lyrics are smart and political in the right ways, which is needed in this current age. This album is great front to back. I really also enjoyed the video for “Them Rats” and “Black Lung” which added to this release.

Idles: Ultra Mono

This band is not for everyone. It is honestly one of my favorite music debates of this past year due to people thinking it either being too mainstream, not punk enough, or just outright hate their sound. I love it and I wish I had a better explanation of why. I think what I love about this band is the main point is to scream about positivity and be chaotic. There is not much more to it. If you overthink it, you could over complicate who they are overall. Their lyrics are funny, well thought out, and politically charged in all the right ways. I really enjoyed Joy as an Act of Resistance but I honestly didn’t think they would top that album since I wrote them off as a one-trick pony. I am eating those words now and Mono just picks up where they left off with even more energy. Grounds and Mr. Motivator give me anxiety in the best way possible.

Laura Jane Grace: Stay Alive

This albums is a collection of songs that might had not seen the light of day and it took a pandemic for them to see the light. It is a stripped down album but has all the essentials needed to demonstrate the song writing talents of Laura. I have been a long time fan of Against Me! since the Crime EP and have been hooked ever since. I was afraid some of the magic would get lost in translation without the band and the punk rock crowds in venues. The songs are hopeful even when it seems bleak, it has some poppy pieces, and is very clever lyrically. This album was also recorded by Steve Albani, which automatically makes this an album worth hearing because he has created so many classic albums. Laura, much like her fans are just trying to stay alive and make it work the best way we know how.

The Chats: High Risk Behavior

The Chats are something missing from the American punk scene. Australia has been killing it the last two years with amazing club style punk. They take playing shitty venues and made that translate to their album. It is raw punk at its finest. Songs are short, funny, and to the point. This was also done on their own label and they probably drew this cover. Which is as punk as it gets. “The Clap” reminds me of the song from Get Him to The Greek but if The Chats wrote it originally. Which is pure genius.

Bad Cop Bad Cop: The Ride

Bad Cop Bad Cop is the crown jewel of the current punk genre. They are a group of extremely talented musicians and added a much needed sound to Fat Wreck Chords. I have enjoyed their previous albums but there is something special about The Ride. It is raw, personal, and very sophisticated songwriting. It talks about going through it and coming out stronger on the other end. Whether it is a battle with cancer or being a child of immigrants, these things change our life perspectives and make us ultimately stronger individuals. It’s about the journey or “the ride”. It still has the classic Bad Cop Bad Cop sound with poppy hooks and beautiful harmonies among the band.

Days N Daze: Show Me the Blue Prints

To be quite honest my folk punk knowledge is slim but one record always makes it onto my best of lists each year. I believe Fat Wreck took a little bit of a gamble when signing this band but definitely gained a lot by doing so. It shows that their idea of punk can include folk punk, which it should because it is punk music. I feel this album carries equal parts of bleakness and optimism, so be prepared for an emotional ride throughout the album. I loved that they used more of Whitney’s voice on certain songs even though the duel singing is an impressive quality of this band. I loved tracks “Fast Tracks” and “My Darling Dopamine” from this album.

Liquid Death: Greatest Hates, Vol. 2

If this album wasn’t for a water company it probably would be album of the year. It would win all kinds of awards. Needless to say, this album is shockingly good. The original Greatest Hates is a metal classic and the punk version lives up to the same hype. Honestly, I did think this company was alcohol and not a water company, which this comment has a whole song about it. The album has punk heavy hitter such as Pinkshift’s Ashrita Kumar, Brendan Kelly of the Lawrence Arms, Anti-Flag‘s Chris #2, Dan Andriano of Alkaline Trio, Jen Razavi and Josh Lewis of the Bombpops, Jer Hunter from We Are The Union and Skatune Network, Joe Principe and Tim McIlrath of Rise Against and ex-Death By Stereo member Paul Miner. I wish all these artists had a real band together because it would be a hit machine.

Field Day: Opposite Land

If you are a fan of Dag Nasty and melodic hardcore punk, this release from Field Day is the EP you have been sleeping on this past year. What makes this album special is not only the members that makes up the band but I miss hearing more positive messages of unity. I know it is a common theme within hardcore but I would say in the state of the world right now we could really use this type of mindset. This album takes a lot of self reflection and looking within for the answers. Going back to these hardcore roots paid off for this EP and I love when music is passionate and really means something at the end of the day. I can’t wait for a full release and more from this band.

Jeff Rosenstock: No Dream

If anyone is winning 2020 somehow, then it has to be Jeff Rosenstock. It is beyond me that he is not a bigger artist than he is when his fans are Mike Park, Seth Myers, and other musical artists. This man made me love Neil Young even after many attempts throughout my life. My favorite album by Jeff Rosenstock will be hands down Worry. but this makes the top 3 best albums he has recorded in his career outside of Bomb the Music Industry! I don’t know how he will top himself but I alway anticipating what he does next. I also hope he does a future tour of this album because I want to hear Scram live more than anything.

Spanish Love Songs: Brave Faces Everyone

This is actually the first album I have listened to by this band. Spanish Loves Songs usually tours with other bands I really love and it was about time to sit down and really give this band a shot. I was blown away by the song writing because of its brutal honesty and being musically refreshing. I haven’t listened to album that really spoke to my generation like Spanish Love Songs has. It is a specific type of dread and worrying about surviving in a world where you are set up to fail. This album blends each song beautifully into the next, which makes it so effortlessly to listen to it front to back.

War on Women: Wonderful Hell

This is exactly the album I needed to get through this political climate and keep me motivated for the future. War on Women always hits the nail on the head when it comes to writing songs about issues and leaves no subtly about what their messages is. The album is a bit of a cleaner sound and deep dive into who they are as a band. Shawna does have a badass scream but she really gives us her strong voice in this album. This is an album that represents the winds of change and revolution. I would hold Wonderfull Hell up to any other politically charged classic albums any day of the week. If this album doesn’t give you goosebumps when you listen to it, then listen closer.

The Lawerence Arms: Skeleton Coast

The Lawerence Arms is a band that took me a while to get into. They have a lot layers, can be serious, and are musically complex in all the best ways. I think they are a band you have to sit down and really listen closely or you will miss the magic. Their style is purely their own style and they created another killer album with Skeleton Coast. I love how they steal their lyrics and really know how to pull at your heart strings. It’s a dynamic album full of fun, cleverness, and sadness which makes it worth listening front to back.

Kill Lincoln: Can’t Complain

Kill Lincoln takes the best parts of pop punk and ska, then takes it to a whole other level. I would say this album is a palate cleanser for me. The albums that came out this year were either political consciousness or attempting something new. When I wanted to escape into music, this definitely helped. The gang vocals reminded me of singing with my friends and music fans at shows. It has fun songs, a cover, and a few conscious jams. Kill Lincoln has just begun to show us what they are made of.

Anti-Flag: 20/20 Vision

We expected and needed an album from Anti-Flag during this election year. In a year full of political discourse, there needed to be a soundtrack to it. I think we will look back at this year when we hear this album and hopefully see how far we have come. And in true Anti-Flag fashion, they will remind us how much further we have to go. The best elements about this album is that it has optimism as well as universal truths. I revisit Anti-Flags discography to have some fun as well as to feel the unity during bleak times. They gave us songs to dance to as well as to march to on this album.

The Shell Corporation: Told Ya So

The Shell Corporation is all the things we need from a political punk band. The fast paced music, the lyrics are clever, and just the right amount of snideness. They summed up the year 2020 in this album with songs like Hot Bleach Injection and Unfollow. Why isn’t this band bigger? Seriously, give this band all your money.

Radkey: Green Room

Radkey is going to be on every alternative festival when those hopefully start back up. Mark my words. Their sound is fresh, leaves all the sweat and blood on the stage, and you can hear it on this record. This album came out this year digitally and is due out in physical media due to their Kickstarter (link above). The fact that a band this talented and are creating their own space in the music world is a very punk move in 2020. If you don’t believe me, then listen to Seize and see what the hype is all about.

Honorable Mentions: Night Birds: Fresh Kills Vol. 2, Metz: Atlas Vending, Western Addiction: Frail Bray, The Keeper Class: States Away, The Damned: The Rockfield Files , Death By Stereo: We’re All Dying Just in Time, PUP: This Place Sucks Ass, Goldfinger: Never Look Back, Raging Nathans: Oppositional Defiance, Alkaline Trio: E.P , Red City Radio: Paradise, Touché Amoré: Lament, Less Than Jake: Silver Linings, Strike Anywhere: Nightmares of the West, The Bombpops: Death in Venice Beach

Here are some videos I made about the best of list if you hate reading or made it this far:

https://open.spotify.com/embed/playlist/7KL3hX1mhAHNyMRzEWEsp8

Fest 17 2018: My first Fest!

After many years of obsessing over lineups and getting recommendations from true punk fans, I finally headed to Gainesville, Florida this year for Fest 17. I also got to tag along with the band Hans Gruber and the Die Hards on their journey to make their debut at Fest. After an early flight from Austin to Savannah, I hitched a ride on their This Flat Earth Tour <—Who knew the Earth was flat? (see video link)

My first show was at Mother’s Pub, which was hosting the Happiest Hour Party Time. It truly lived up to the name and I got my first taste of how the rest of the weekend would go. I got to catch up and coming acts such as the Cold Wrecks, The Ridgelands, Goddamnit, and Hans Gruber and the Die Hards.

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The Ridgelands at Fest

The room was packed since the Holiday Inn Pool Party/Officer Bradford’s Jammy Jam was canceled. This happy hour turned into the show to get Fest officially started!

This past year I have had the pleasure of meeting Chris Fox and the members of  Boss’ Daughter. We got to catch their set at the Palamino Pool Hall and it was truly a sight to see. People were jumping on stage and dancing around every inch of that pool hall. If you haven’t been to Boss’ Daughter show, are you even partying? See videos below:

 

 

I saved most of my energy for Saturday and Sunday of Fest. Every morning was a surprise to find out which Mystery bands would be revealed. It is a real “Sophie’s Choice” when deciding which band to see and having to miss one of your other favorite bands.  This isn’t my first music festival where I have had to make similar decisions since I am a South By Southwest veteran at this point. CITY LOGISTICS AND TIMING IS KEY! Since I had missed some artists on Friday, seeing my favorite bands get added to the schedule was a godsend.

The two Mystery bands I caught were Night Birds and Pears on Saturday. Night Birds haven’t left my listening rotation for about 3 years now. I think Mutiny at Muscle Beach is an under-rated masterpiece. I finally got to see them for the second time in my life and that will not be often enough times. Fest also got an added bonus this year from the band Pears. They decided to play their album Go to Prison in full. If you haven’t had the pleasure of listening to this record I would highly recommend it especially if you are not familiar with them previously. I think it is a great representation of their musical range as a band. It is an unbelievable debut album and it only gets better from there.

Pears sounds like no other band out there at the moment. I love that they are clever lyrically and are full of rage but in a satirical way. Another fun fact about Pears at Fest is they were supposedly giving away lyrics sheets if someone got a Pears tattoo from the Fest flash sheet. I am one of those crazy people but I got mine on Sunday after they left. Hopefully, I can connect with them when they come back through Texas. Regardless, I got a cool (permanent) Fest souvenir.

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Fest 17 Flash Sheet with my mods

One of my favorite show experiences was getting to see War on Women finally. I have read about them in many online articles but I wanted to see what the hype was really about. The venue was so packed but the performance was stellar. I had listened to an album a few months ago and I expected it to be intense. When I heard the song “Say it”  live, it was absolutely moving. Having a song blatantly state the obvious and jarring reality about rape was emotional but needs to be screamed from the mountains tops. This is a song that definitely reflects the times of this past year. I also got an informative book written by Shawna Porter about creating safe spaces and I look forward to reading it. She was super loving in person and is an absolute treasure to this scene. I am bummed I didn’t get any footage from this show to share.

Later that night after bouncing around with friends, I headed to Bo Diddley Plaza to check out Rozwell Kid. I really like them and have seen them previously. This time around they really impressed me. I think this band will continue to get better and better as their career develops. I was really looking forward to finally catching The Lawrence Arms set. I have missed this band at many festivals over the years and they rarely tour in southern states. Finally getting to seeing the Lawrence Arms was definitely worth the wait.

 

One of the major appeals of Fest for was getting to see Lagwagon perform “Let’s Talk about Feelings” for the 20th anniversary of the album. This album is fun and has great songs such as “Hurry Up and Wait” and “May 16”. It is said that this is Joey Cape’s favorite Lagwagon album but I feel the band would say that about all their records like they were their children. The first Lagwagon record I ever listened to was Double Plaidinum. That will always be my favorite but Let’s Talk About Feelings is my other go-to album. The cover art and the playfulness of the record itself will make you want to listen to it beginning to end. I am glad I got to celebrate this album at Fest 17.

My late show on Saturday was located at Loosey’s Market to check out pop-punk sensations The Dollyrots. A college friend of mine really sweated this band and turned me on to their style. They are not my usual taste in pop punk but the songs are super fun and catchy. You can tell this is Kelly and Louis’ passion and they always have fun on stage. I am glad I finally got to see them live. I got to catch another Mystery Band, which was The Stereo!

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The Dollyrots at Fest 17

This was a reunion for them, which Fest is known for bringing back fan favorites. When I think of power-pop, the Stereo is possibly my favorite. That might have to do with the members being from the Impossibles and Animal Chin. It is like a perfectly formed Fueled by Ramen super band. I feel this secret show was a test run for the bigger Bo Diddly stage but all the super fans showed up for this particular show. I also had the pleasure of running into my favorite podcaster Jeff from the Rockfuel Podcast at this show. See some footage below:

 

Sunday was a random day for new music and crazy hijinks on the final day of Fest. I headed to the tattoo shop Wunderland to see about getting a Fest tattoo. Since there is always a list of people ready to get inked, we headed down to the see The Stereo for an encore performance. I also had the pleasure of meeting the band after their set and they said they are working on a new album!

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Dollar Signs at Fest 17

I was REALLY looking forward to seeing Dollar Signs at Fest for the first time. This band was a hidden gem in my Spotify. I want to send Spotify a literal thank you letter for introducing me to this band. I am bummed they only had a 30 minute set time at the High Dive. Nevertheless, I was determined to enjoy every second and they did not disappoint.

They wore their party shirts, had hoverboards, and the crowd sang every word. I have to say that was one of the best shows at Fest. I look forward to what they will release next. In an ideal world, I would love to see them tour with Jeff Rosenstock. That would be a match made in heaven.

I eventually got my tattoo (see above) and headed back to Bo Diddley Plaza for the last time. I had to see Masked Intruder for the tenth time in my life. This band literally steals my heart since they steal everything else. I sat on the lawn and watched all the crowd surfers fly by. It was a nice way to spend my last evening at Fest. After getting some dinner and my Masked Intruder fix, I headed back to the High Dive. I had been watching The Shell Corporation on Bridge City Sessions on YouTube for the past month.   “Kumbaya” is my official anthem of the year 2018. I had to see it live. Here is some of the song below (buy their albums!) :

This band should get more credit and be a bigger name, which I feel that will come in time. They have a vision and a style that always leaves me wanting more. I ended up staying at the High Dive with my friends to check out The Fad. I hadn’t listened to or thought of this band since the early 2000s. We had a great time dancing to some throwback ska and having some drinks to close our first Fest. It was definitely one for the books.

I know there was a ton I missed out on. If I didn’t have a full day of traveling then I would have been at “the purge”. There is always an awesome band that shows up and there are new friends to be made. I am sad I missed Iron Chic while getting my tattoo. It would have also been cool to experience Pre-Fest or see the wrestling. I just don’t believe you can do everything at Fest. I am sure many of you have tried. I think that might be the beauty of Fest, it is a unique experience every time with new and old friends.

Even though I have been to many shows in Texas and around the country, I have to admit Fest has the best fanbase hands down. Fans come year after year and are a real punk community. I made a lot of new friends and got to see some old good ones while I was there. I hope to make it back to Gainesville for more great memories and to party with my Fest friends.

For more photos and videos from Fest 17 check out my Instagram.

NEVER STOP FESTING FRIENDS!

Fat Wreck Chords Takes SXSW 2016

Even though most SXSW veterans will say this year’s festival wasn’t above and beyond might not be appreciating the roots of the festival. Growing up punk in Austin, I used to wait on the sidewalks of Emo’s hoping to get into the SXSW Fat Wreck Chords showcase. Those were the golden years of Rock Against Bush for Fat Wreck and we needed NOFX’s anthems then.

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Ray Rocket at Fat Wreck Chords Showcase SXSW2016

Let’s focus on today; we need their help against Trump and to celebrate their classic punk tracks. This year NOFX released their memoir and brought the best of their label roster to SXSW. The showcase at Buffalo Billard’s was intimate enough for the stylings of Ray Rocket’s acoustic set and to rock out in the pit. All the bands I bought albums from this past year were on the lineup: Ray Rocket, The Dirty Nil, Mean Jeans, toyGuitar, Night Birds, and NOFX.

The two bands I haven’t gotten to see within the past years were my most anticipated: Mean Jeans and Night Birds. I was fortunate enough to go to the Fat Wreck Anniversary Tour this past year but did not get to see these gems. Mean Jeans would be my vote for the most anticipated band for the fest. NOFX is definitely everyone’s favorite but I am always curious to find out who is going to be the next wave of punk. Mean Jeans has the amazing grit and snarl that true punk rock has, but also contains the roots of the Ramones tangled within every song. Their energy and live show was everything I expected from their music and are a perfect fit for the label.

Night Birds has also been a favorite of mine for the past year. They are the hardcore punk that I need to revival the sweet melodic punk I love. Most of the audience noted that the Night Birds are one of the best live band. That is definitely the truth. They come running out the gate and you are coming with them no matter what. Their guitars and angst reels you in and leaves you wanting more.

Of course, the end of the night is topped with the sweet cherry that is NOFX. They are the crowd favorite and everyone goes crazy. Maybe because it was St. Patrick’s Day or the fact they were finally back in Austin but it felt good to have NOFX just play a solid set and have fun with it. I hope this continues to be a tradition with Fat Wreck Chords and SXSW.  The most important part of this festival is to remember why we listen to music in the first place: the classics and new finds.