In the final chapter of this three part series, we got to sit down with one of my favorite bands: The Queers. Joe Queer has been the longest member of The Queers and has carried out the vision of this band from the 1980s to the present day. There has been many changes from this band when it comes to labels and members but many albums later The Queers have stood the test of time.
Mr. T Experience and The Queers might be the peanut butter and jelly of the Lookout era days. They are different in styles and personalities but something about this combo really works for this pop punk fan base. The Queers have always had an allure with their bratty and tongue in cheek lyrics but has some real thought behind what they say. They want you to be in on the joke or to be offended by it. With these clever musical stylings, you can’t help but get an ear-worm from time to time.
The main focus of this interview was to find out why this fan base has been coming back to these two specific bands year after year. I have seen The Queers countless times in my punk rock career and it is just a staple of my diet. I am sure a lot of fans can say the same about both these bands. And this is coming full cycle due to their fans bringing their kids with them to have the same experience.
I wanted to know from Joe what the secret is to his success is. The Queers tour constantly and somehow make it work tour after tour. They still have relationships with bands they came up with and they also try to highlight some of the up and coming punk bands they meet on the road. I will say that was the refreshing part of this interview, is that this particular punk ethos is still there and thriving after all these years. It was a short but fun conversation but you can tell he is still a fan of the music that influenced him and wants to keep going back on the road.
After many years of obsessing over lineups and getting recommendations from true punk fans, I finally headed to Gainesville, Florida this year for Fest 17. I also got to tag along with the band Hans Gruber and the Die Hards on their journey to make their debut at Fest. After an early flight from Austin to Savannah, I hitched a ride on their This Flat Earth Tour <—Who knew the Earth was flat? (see video link)
My first show was at Mother’s Pub, which was hosting the Happiest Hour Party Time. It truly lived up to the name and I got my first taste of how the rest of the weekend would go. I got to catch up and coming acts such as the Cold Wrecks, The Ridgelands, Goddamnit, and Hans Gruber and the Die Hards.
The room was packed since the Holiday Inn Pool Party/Officer Bradford’s Jammy Jam was canceled. This happy hour turned into the show to get Fest officially started!
This past year I have had the pleasure of meeting Chris Fox and the members of Boss’ Daughter. We got to catch their set at the Palamino Pool Hall and it was truly a sight to see. People were jumping on stage and dancing around every inch of that pool hall. If you haven’t been to Boss’ Daughter show, are you even partying? See videos below:
I saved most of my energy for Saturday and Sunday of Fest. Every morning was a surprise to find out which Mystery bands would be revealed. It is a real “Sophie’s Choice” when deciding which band to see and having to miss one of your other favorite bands. This isn’t my first music festival where I have had to make similar decisions since I am a South By Southwest veteran at this point. CITY LOGISTICS AND TIMING IS KEY! Since I had missed some artists on Friday, seeing my favorite bands get added to the schedule was a godsend.
The two Mystery bands I caught were Night Birds and Pears on Saturday. Night Birds haven’t left my listening rotation for about 3 years now. I think Mutiny at Muscle Beach is an under-rated masterpiece. I finally got to see them for the second time in my life and that will not be often enough times. Fest also got an added bonus this year from the band Pears. They decided to play their album Go to Prisonin full. If you haven’t had the pleasure of listening to this record I would highly recommend it especially if you are not familiar with them previously. I think it is a great representation of their musical range as a band. It is an unbelievable debut album and it only gets better from there.
Pears sounds like no other band out there at the moment. I love that they are clever lyrically and are full of rage but in a satirical way. Another fun fact about Pears at Fest is they were supposedly giving away lyrics sheets if someone got a Pears tattoo from the Fest flash sheet. I am one of those crazy people but I got mine on Sunday after they left. Hopefully, I can connect with them when they come back through Texas. Regardless, I got a cool (permanent) Fest souvenir.
Fest 17 Flash Sheet with my mods
One of my favorite show experiences was getting to see War on Women finally. I have read about them in many online articles but I wanted to see what the hype was really about. The venue was so packed but the performance was stellar. I had listened to an album a few months ago and I expected it to be intense. When I heard the song “Say it” live, it was absolutely moving. Having a song blatantly state the obvious and jarring reality about rape was emotional but needs to be screamed from the mountains tops. This is a song that definitely reflects the times of this past year. I also got an informative book written by Shawna Porter about creating safe spaces and I look forward to reading it. She was super loving in person and is an absolute treasure to this scene. I am bummed I didn’t get any footage from this show to share.
Later that night after bouncing around with friends, I headed to Bo Diddley Plaza to check out Rozwell Kid. I really like them and have seen them previously. This time around they really impressed me. I think this band will continue to get better and better as their career develops. I was really looking forward to finally catching The Lawrence Arms set. I have missed this band at many festivals over the years and they rarely tour in southern states. Finally getting to seeing the Lawrence Arms was definitely worth the wait.
One of the major appeals of Fest for was getting to see Lagwagon perform “Let’s Talk about Feelings” for the 20th anniversary of the album. This album is fun and has great songs such as “Hurry Up and Wait” and “May 16”. It is said that this is Joey Cape’s favorite Lagwagon album but I feel the band would say that about all their records like they were their children. The first Lagwagon record I ever listened to was Double Plaidinum. That will always be my favorite but Let’s Talk About Feelings is my other go-to album. The cover art and the playfulness of the record itself will make you want to listen to it beginning to end. I am glad I got to celebrate this album at Fest 17.
My late show on Saturday was located at Loosey’s Market to check out pop-punk sensations The Dollyrots. A college friend of mine really sweated this band and turned me on to their style. They are not my usual taste in pop punk but the songs are super fun and catchy. You can tell this is Kelly and Louis’ passion and they always have fun on stage. I am glad I finally got to see them live. I got to catch another Mystery Band, which was The Stereo!
The Dollyrots at Fest 17
This was a reunion for them, which Fest is known for bringing back fan favorites. When I think of power-pop, the Stereo is possibly my favorite. That might have to do with the members being from the Impossibles and Animal Chin. It is like a perfectly formed Fueled by Ramen super band. I feel this secret show was a test run for the bigger Bo Diddly stage but all the super fans showed up for this particular show. I also had the pleasure of running into my favorite podcaster Jeff from the Rockfuel Podcast at this show. See some footage below:
Sunday was a random day for new music and crazy hijinks on the final day of Fest. I headed to the tattoo shop Wunderland to see about getting a Fest tattoo. Since there is always a list of people ready to get inked, we headed down to the see The Stereo for an encore performance. I also had the pleasure of meeting the band after their set and they said they are working on a new album!
I was REALLY looking forward to seeing Dollar Signs at Fest for the first time. This band was a hidden gem in my Spotify. I want to send Spotify a literal thank you letter for introducing me to this band. I am bummed they only had a 30 minute set time at the High Dive. Nevertheless, I was determined to enjoy every second and they did not disappoint.
They wore their party shirts, had hoverboards, and the crowd sang every word. I have to say that was one of the best shows at Fest. I look forward to what they will release next. In an ideal world, I would love to see them tour with Jeff Rosenstock. That would be a match made in heaven.
I eventually got my tattoo (see above) and headed back to Bo Diddley Plaza for the last time. I had to see Masked Intruder for the tenth time in my life. This band literally steals my heart since they steal everything else. I sat on the lawn and watched all the crowd surfers fly by. It was a nice way to spend my last evening at Fest. After getting some dinner and my Masked Intruder fix, I headed back to the High Dive. I had been watching The Shell Corporation on Bridge City Sessions on YouTube for the past month.  “Kumbaya” is my official anthem of the year 2018. I had to see it live. Here is some of the song below (buy their albums!) :
This band should get more credit and be a bigger name, which I feel that will come in time. They have a vision and a style that always leaves me wanting more. I ended up staying at the High Dive with my friends to check out The Fad. I hadn’t listened to or thought of this band since the early 2000s. We had a great time dancing to some throwback ska and having some drinks to close our first Fest. It was definitely one for the books.
I know there was a ton I missed out on. If I didn’t have a full day of traveling then I would have been at “the purge”. There is always an awesome band that shows up and there are new friends to be made. I am sad I missed Iron Chic while getting my tattoo. It would have also been cool to experience Pre-Fest or see the wrestling. I just don’t believe you can do everything at Fest. I am sure many of you have tried. I think that might be the beauty of Fest, it is a unique experience every time with new and old friends.
Even though I have been to many shows in Texas and around the country, I have to admit Fest has the best fanbase hands down. Fans come year after year and are a real punk community. I made a lot of new friends and got to see some old good ones while I was there. I hope to make it back to Gainesville for more great memories and to party with my Fest friends.
For more photos and videos from Fest 17 check out my Instagram.
This show lineup is where music fans that love punk and indie rock live and coincide. From the Against Me! and The Menzingers t-shirts to the fashion clad hipsters; there is something for everyone. This was my first show of the year and I have to say it was a good pick. Nothing too crazy or heavy but a true quintessential classic.
All of my friends were excited to see Mikey Erg. Personally, I missed this part of the punk history. Like most of the great pop-punk, we have heard out the New Jersey area, Mikey Erg is definitely is keeping those great songs alive. He does a solo set that is similar to an acoustic solo set. But he is not exactly an “acoustic” guy (sorry Chuck Ragan) so he plays with a guitar and an amp. This is unorthodox but the songs are well written and catchy, exactly what you can expect from 1/3 of The Ergs! His band had a short-lived reunion but I think that might be it for now. His solo stuff is worth checking out if you are getting over a breakup, driving through the east coast, or riding your bicycle in Converse on a Wednesday.
What really sold me on this show was the band Cayetana. I have been annoying my partner by playing this band over and over in the apartment for the past year. I highly believe that “Hot Dad Calendar” is a perfectly written pop song. The lyrics are catchy, the guitar and bass are in synch, and vocals are silly and intense all at the same time. I was glad I was able to see this band live and it definitely made me more of a fan. They have a new album coming out this year which I can’t wait to check out, especially if it is as great as Nervous Like Me. Check out more below:
Speaking of classic albums, Lemuria has mastered this art. Get Better is having its 10th anniversary and it is an album I like to revisit time to time. The best things about Lemuria is there layered vocals and harmonies, riffy guitars, and their self-doubt lyrics with splashes of optimism. Living in a place between pop music and with a dash of punk is a hard stunt to pull off as a band but Lemuria really makes it work.
They probably over think everything as a band but that is something that always pays off for them. From their song structure to the merch they sell, every piece is given care and thought. I think more bands need to over care and get to be this professional. This is why a lot of their fan base (and indie labels) care about what this band does next. I was really glad to see all these artists finally in my hometown and in one of my favorite local venues. 2017 is going to be a great year in music if artists like these keep making pop music in these dark times.
It is said that “Riot Fest Sucks” (at least that’s what they want you think). I think setting the bar really low on expectations takes the edge off when it comes to impressing your audience. When it comes to Riot Fest, this festival has done such great lineups the past few years I am officially a repeat customer. I went to Chicago two years ago and this time I went to Denver. The Denver Riot Fest is almost a literal rodeo. Being from Texas, I understand this setting. It is almost too familiar. The festival set up was part rodeo, part Warped Tour parking lot.
Since I got there a bit late, I went straight to see my favorite fest band: Fucked Up. I think I love this band even more as they progress into their albums. I also enjoy Damian’s podcast.They played a short set but did not disappoint. They played classics like “Crooked Head” and  “Black Albino Bones”. I learned that “Black Albino Bones” is about record collecting and I am going to revisit that song. I think Fucked Up is really well thought out music but doesn’t take itself that serious either. The highlight of their live show was when Damian carried out armfuls of water for the audience and was still screaming into the mic.
Damian Abraham of Fucked Up
I spent the rest of the fest in the literal rodeo ring. I got to see the Aquabats! I love that they are live action super heroes of sorts. I Â have enjoyed their shows and have been a fan for years. Their fan base is literally little kids and way too old adults. But we are all on the same page here. We love to party and fight villains. Their stage show was the best in the sense that 1.) their songs are catchy 2.) they had dancing sharks like Katy Perry super bowl style 3.) they had inflatable pizza slices to crowd surf on: Surf’s UP!
My favorite highlight of the Aquabats set was when MC Bat Commander taught children to circle pit, literally. Yes they literally just ran in a circle but this will be an important concept they will learn later down the line. The children are our future after all. They also had some funny musical jokes where they would play parts of other people’s song you wouldn’t think the Aquabats would know. They are a lot more hip than you think for guys dressed in costumes.
The rest of the festival was a perfect trifecta of Fat Wreck Chords bands: Lagwagon, NOFX, and Descendents.Lagwagon is still one of favorites. They play each song with such precision and heart. I love their last album Hang a lot and was stoked to hear “Cog in the Machine” again live. They played their classics such as “Violins” and “Making Friends”. The only thing about big festivals is that you only get mostly classics from a band like Lagwagon but each one of theirs is a gem.
I was anticipating the NOFX set. The band has had a crazy year. They wrote a book. They did a tour. Fat Mike did a detox. I feel like this show would be a bit of a regroup for this band. Once NOFX took stage that rodeo arena was packed to brim with punk fans. I had to watch from the seats since the arena was getting too full. That’s great for NOFX though. I feel they did a great set and played newish songs such as “72 Hookers” and “I Believe in Goddess”. They debuted “Six Years on Dope” from their new album First Ditch Effort coming out in October. I am digging their new release so it was cool to get a preview. Their set was mediocre but I kind of want that from a NOFX. I only come to this conclusion from other NOFX fans at Riot Fest. I eavesdropped on a lot of conversations that either loved the set or thought it wasn’t their best. NOFX is not about perfection but they still know how to entertain.
The Descendents are one of my top ten favorite bands. I don’t think I could give them a bad review since I am super bias on the subject. I will say that I loved seeing them at Riot Fest Chicago two-year ago because they did Milo Goes to College front to back and that was a real musical moment. I was also excited to hear their new release Hypercaffium Spazzinate live for the first time. I believe their new album holds up live. They played a very good mix of all their albums and I can’t wait to see them in my hometown for Sound on Sound festival in November.
I also got to check out the half of the Deftones set. I still sweat that band a lot and I am not ashamed. By the end of the night I was all rodeo-ed out.
As a music junkie, I listen to music day in and day out. I have been to countless tours and have probably spent almost million dollars on this music fanaticism. I regret nothing.
Since I have worked in the industry and have listened to so many hours of music, I rarely get overly excited about a band. One weekend of my life, my asshole friends got married on the same weekend as Fun Fun Fun Fest. I was sad that I wasn’t at the fest but then there is real life. I bought a ticket for the last day of the fest and I thought at the very least I can see one solid day of music.
I want to thank the sound guy at Neutral Milk Hotel for being awful. If he wasn’t so bad and the band wasn’t so depressing, I would have never discovered one of my all-time favorite bands: Murder City Devils. I had never heard a single song by them but I thought anything would be better than the horribly mixed sound (I am an audio engineer). I watched the rest of Murder City Devils set and I couldn’t remove my eyes or ears. It felt like a piece of my life that had not be fulfilled was suddenly over full. I felt the electricity that gives you goosebumps and makes you feel suddenly alive. I didn’t even know what I had been missing all this time.
I devoured all the albums I could after that weekend. They are so dark, beautiful, and had this raw emotion that is very hard to describe. They have been a band 1996 and are on SubPop. They did break up for a moment back in 2001 but go back together in 2006 to play a few festivals. Their last album was in 2014, which was titled “The White Ghost Has Blood on its Hands Again”.
I have seen them as much as I could in recent years. I saw them play in a lightning storm at Punk Rock Bowling in Vegas. I recently saw them in a club venue, the Mohawk in Austin. Texas was blessed to have their tour dates this year, which included San Antonio and Dallas. I didn’t really know what to expect since every show I have seen them in had been a unique experience. Their set list was mixed with old and new songs, which is to be expected. But what really sold me on this show was watching the audience. Their fans are devoted and they get it. They get the darkness and the tongue & cheek of it all. Part of the set Spencer had the mic literally in his mouth because no one should ever take themselves that seriously. I think the best quote about Murder City Devils would be the one from that FFF fest handout that said “Murder City Devils are like the drunk uncle you invite over for Thanksgiving. He ends up getting drunk and crashing into a china cabinet.” Maybe it’s a simplified meaning, but they have the allegory just right.
  
Punk Rock Anthropology 